"Mirandolina" na Purgatorijama

Performance by the Tivat Cultural Center at the local festival

756 views 0 comment(s)
Photo: Promo
Photo: Promo
Disclaimer: The translations are mostly done through AI translator and might not be 100% accurate.

In the Great Hall of the Tivat Cultural Center on Saturday, August 15th, starting at 21 p.m., the audience will have the opportunity to once again enjoy the play "Mirandolina", which is based on the international Mediterranean Theater Festival Purgatory 2026. Karl Goldoni i Peter Turinia directed and adapted Tatjana Mandic Rigonat.

“The Innkeeper Mirandolina is one of the most famous female characters in the history of theater. She celebrates the authentic strength of Woman, her intelligence, wisdom, Eros of life, creativity, desire for independence and freedom. In her, the primal strength of Woman finds its exciting and humorous form. Carlo Goldoni wrote the comedy “The Innkeeper” in 1751, and it was first performed in 1753 in Venice. Since then, Mirandolina has lived on theater stages, outdoing men and the misogynistic Knight Ripafrata, fighting for dignity, both her own and that of her gender. She is a feminist from the 18th century. In men's fantasies, she is the Devil, Venus, Padrona, Harlot, Whore, Saint, Sorceress. She is the Siren who enchants men and takes away their reason. A dangerous woman. Whether she is imagined as a Siren or a pin-up, in any visual form she is a symbol of a self-conscious, rebellious woman. In inherits the experience and tactics from various times with which women seduced men and fought with them in a merciless battle of the sexes. What is Mirandolina's fate in a world ruled by Mammon, money and greed? Are freedom and independence possible, or are they just grand illusions? What about love? What is the relationship between love and money, Eros and Mammon? For Baudrillard, art is an act of seduction. Mirandolina will tell us the story of herself, as an artist who plays her life in the theater, constructing and deconstructing a narrative about a woman who values ​​her own freedom above all else," says director Tatjana Mandić Rigonat.

The dramatic and linguistic adaptation of the text, and the selection of music are by Tatjana Mandić Rigonat, the costume design Stefan Savkovic, scenography Vesna Popović. She is a composer Irena Dragović, choreographer Slavka Nelevic, while she was in charge of the video Jelena Tvrdisic.

The play features: Katarina Markovic, Vucic Perovic, Lazar Dragojevic, Goran Slavic, Goran Vujovic, Lara Dragovic i Itana Dragojevic.

See more: